|Keywords||Cancer, Catastrophe, Grief, History of Medicine, Human Worth, Individuality, Love, Medical Advances, Medical Research, Mourning, Obsession, Science, Suffering, Technology, Women in Medicine|
The beautiful Polish student, Marie Sklodowska (1867-1934) (Greer Garson), is the only woman graduate student studying physics in Paris. She attracts the attention of her kindly professor by fainting in class. A father of two daughters, the professor realizes that she is both brilliant and poverty-stricken. He offers her a paid research project, and, without revealing her sex, arranges for her to occupy space in the laboratory of absent-minded Professor Pierre Curie (1859-1906) (Walter Pidgeon).
At first, Curie is annoyed by her presence, but he soon realizes that she is immensely gifted. When she decides to leave Paris (and physics) after standing first at her graduation, Curie is horrified and clumsily proposes marriage to stop her. Their union will be based on respect, reason, and physics, he claims, and she accepts. With his support, she embarks on an obsessive project to isolate what, she realizes, must be an unknown element in the compound pitchblende--a substance that emanates rays like light.
Four years of intense labor with few resources, inadequate facilities, incidental child-bearing, the threat of cancer, and many disappointments lead to the isolation of a minute quantity of radium in 1898. The Curies share the 1903 Nobel prize in physics with Henri Becquerel. Their future seems assured, but tragedy soon strikes: the distracted Pierre is run over by a horse-drawn cab and dies instantly.
Madame's grief is powerful, but she recalls her husband's prophetic words and returns to work. In the final scene, the elderly Madame Curie, now twice Nobel laureate (1911 chemistry), delivers an inspirational lecture on the promise of science to help "mankind" by curing and preventing disease, famine, and war.
Nominated for seven Academy Awards (including Best Picture), this sentimental, wartime film is based on the true story of the first woman Nobel laureate. Historically accurate about most events portrayed--down to a charming evocation of a famous photo of the pair with bicycles--it is itself an intriguing historical document. The sheer enormity of the physical problems involved in the isolation of radium are well explicated, making the scientific investigations both understandable and compelling.
Gentle comedy enlivens the love-story, as the absent-minded but good Curie (Pidgeon) pontificates, bumbles, and contradicts himself, in admirable fidelity to Eve Curie's account of the father she scarcely knew. Heavy with foreshadowing, the entire film emphasizes the tragedy of Curie's untimely death and elevates his wife's achievements to a triumph of saintly endurance over adversity.
A trailer addressed specifically to allied soldiers repeats the message of the final scene, that science will bring peace. Released two years before the first atomic bomb, this picture poignantly reflects the mid-century optimism over the great promise of science, soon to be threatened by the very discoveries it celebrates.
|Leading Actors||Greer Garson, Walter Pidgeon|
|Color/BW||Black And White|
|Running Time||113 minutes|
|Video Source||MGM/UA Home Video (1992)|
|Miscellaneous||Based on the 1938 biography by daughter, Eve Curie (b. 1904).|
|Annotated by||Duffin, Jacalyn|
|Date of Entry||07/02/97|