|Keywords||Acculturation, Disease and Health, Empathy, Epidemics, Family Relationships, Father-Daughter Relationship, History of Medicine, Human Worth, Infectious Disease, Love, Obsession, Parasitic Disease, Poverty, Public Health, Society|
Grégoire Ponceludon de Malavoy (Charles Berling) travels to the court of Louis XVI at Versailles seeking support for his plan to drain a marsh in order to relieve his poverty-stricken community from the scourge of malarial fever. Naive in the ways of court, he is robbed and left on the road for dead. A kindly doctor and would-be courtier (Bernard Girardeau) finds Grégoire and nurses him back to health with the help of his beautiful and highly intelligent daughter, Mathilde (Judith Godréche).
Grégoire accompanies the doctor to court where he quickly excels in the fine arts of repartee, ridicule, and sang-froid. Seeing this practice as a route to the king, Grégoire plays the game well and begins to have fun, in spite of himself. He attracts the attention of the influential Comtesse de Blayac (Fanny Ardent) with whom he sleeps, despite his love for Mathilde.
A peasant child's death at home inflames his obsession over the marsh. At the moment he is finally about to have the king's attention, he duels with an officer over a matter of honor; he wins the duel but loses his regal audience for having shot a royal soldier. The film ends in the Revolution: Grégoire and Mathilde are well launched in their drainage project and the doctor is an émigré on the English coast learning the fine arts of British humor.
This lavish costume drama evokes Ancien Régime France with tremendous style and irony. Several issues of medico-historical interest can be found in it: the importance of malaria in the recent past of Europe; the utter disregard of the aristocracy for the condition of the poor; the frustration of a man, obsessed with a selfless good idea, when confronted with the machine of courtly bureaucracy; the vignette of a bourgeois doctor who strives beyond himself to be welcome at court. "Whom do I have the pleasure of bleeding?" the doctor politely asks Grégoire in their first encounter.
Initially reluctant to accord the drainage project any consideration, the doctor soon perceives the younger man's natural wit as an entr?for himself into the palace; the project is tolerated. The ridicule of the title pervades the film: from the opening scene--a graphic portrayal of a courtier urinating on a helpless old nobleman--until the end, when the king is presumably defeated as Grégoire triumphs. Throughout, the petit functionaries of the court bear satirical resemblance to their equivalents in late twentieth-century France. In life, as at court, each step forward is a game involving the successful ridicule (and humiliation, a.k.a. defeat) of one's nearest opponent.
|Leading Actors||Fanny Ardent, Charles Berling, Bernard Girardeau|
|Studio||Epithèthe Cinéa, France 3 Cinema|
|Running Time||103 minutes|
|Video Source||Polygram Canada|
|Miscellaneous||In French, subtitiled; won 4 Césars (the French Oscar), including Best Film for 1996.|
|Annotated by||Duffin, Jacalyn|
|Date of Entry||09/11/97|