|Genre||Novel (353 pp.)|
|Keywords||Aging, AIDS, Cancer, Children, Chronic Illness/Chronic Disease, Death and Dying, Family Relationships, Father-Son Relationship, Grief, Hospitalization, Illness and the Family, Infertility, Lesbian/Gay/Bisexual/Transgender Issues, Love, Mother-Son Relationship, Mourning, Sexuality, Time|
Constructed as a triptych, the novel chronicles several generations of a Scottish family, the McLeod’s, across three Junes: Part I Collies, 1989; Part II Upright, 1995; and Part III, Boys 1999. In the first part, patriarch Paul McLeod assuages his grief and loneliness following his wife’s death by traveling to Greece on a tour. He tells the tour guide about his wife’s lung cancer: "A terrible ordinary death, you might say. Or an ordinary terrible death." (p. 23) Paul’s unrequited yearning for Fern, a young artist, heralds a succession of missed opportunities for expressions of love involving the McLeod’s.
The second part is a first person narrative by Fenno, Paul’s eldest son. Fenno, the gay owner of a Manhattan bookstore, cares for Malachy, a New York Times music critic, who has AIDS. Paul’s death brings the three sons together (Fenno and his younger twin brothers David, a veterinarian who lives in Scotland with his wife Lillian, and Dennis, a chef, who arrives from France with his wife and children).
The family relationships are complicated, and David’s infertility leads to revelations about strengths and weakness of various family members. Meanwhile, Mal’s illness and his decisions about controlling the end of his life, also give Fenno insight into loyalties and family secrets.
The last section, a coda, reverts to third person narration and reintroduces Fern, now widowed due to a freak accident and also pregnant. Themes of parenthood, responsibility and relationships continue to be developed.
The winner of the National Book Award, this first novel by Glass offers a rich storyline and character development. The complex relationship between Mal and Fenno, as well as Mal’s desire to die at home and forego heroic measures, provides a nuanced narrative of AIDS in New York and the losses that the gay and artistic communities suffered in the 1980s and 90s. In addition, the book offers insight into adult filial and sibling relationships, and the death of parents. Finally, the resolution of Lillian’s intense desire for children and the pain that infertile couples suffer is well portrayed.
|Place Published||New York|
|Annotated by||Shafer, Audrey|
|Date of Entry||11/16/03|