|Keywords||Abandonment, Acculturation, Alcoholism, Children, Chronic Illness/Chronic Disease, Colonialism, Communication, Cross-Cultural Issues, Death and Dying, Domestic Violence, Family Relationships, Father-Son Relationship, Grief, Human Worth, Individuality, Marital Discord, Memory, Men's Health, Mother-Son Relationship, Mourning, Native-American Experience, Parenthood, Poverty, Power Relations, Psycho-social Medicine, Racism, Rebellion, Scapegoating, Society, Spirituality, Suffering, Survival, Time|
|Summary|| The film opens on the Coeur d'Alene Indian Reservation -- called "the rez" by its inhabitants -- in 1998. Immediately there is a flashback to July 4, 1976 when the community was celebrating "white man's Independence Day" in drunken abandon. Accidentally Arnold Joseph (Gary Farmer) sets an uncontrollable fire to his neighbor's house, killing the couple who live there. But Joseph catches the baby, Thomas, when he is thrown out of a second story window from the burning house. The rescued Thomas (Evan Adams) is brought up by his grandmother and along side of Victor (Adam Beach), Arnold Joseph's son of about the same age. Joseph keeps on drinking but is in despair about the conflagration and its consequences.|
12-year-old Victor watches sullenly while his parents drink until one night he smashes all their beer bottles. This action is a wake-up call for Victor's mother, Arlene (Tantoo Cardinal), who insists that she and Arnold both stop drinking. She chases Arnold out of the house; he leaves, never to return, while Victor watches, sobbing. These elements of the story occur in flashbacks while the 20-year-old Victor and Thomas travel by bus to retrieve whatever they can of Arnold Joseph, who has died outside of Phoenix. The remaining story unfolds in that forsaken spot where Joseph lived in a trailer and befriended Suzy Song, a young Indian woman originally from New York.
|Commentary|| In spite of the grim events described above, the film has the typical tongue-in-cheek humor and cultural insight that characterize the work of Sherman Alexie, who wrote the screenplay. It is filled with quirky individuals (a woman who only drives her car backwards; Thomas, who insists on wearing a dark suit and vest everywhere) and underplayed one-liners: the reservation radio announcer stating that it's "a good day to be indigenous"; Victor telling Thomas that he needs to stop smiling and look "stoic" if he wants to be a real Indian; the suggestion that Victor and Thomas will need a passport to the United States when they leave the reservation; and "the only thing more pathetic than watching Indians on TV is Indians watching Indians on TV."|
Nevertheless, there are serious threads that run throughout, such as the tragedy of reservation alcoholism, the long-range effects of parental desertion, and the power of imagination and story -- Thomas is a born storyteller who has a tale for every occasion, telling "both truth and lies." Thomas tells stories about Victor's father that give the father dignity and worth -- traits that ultimately turn out to be "true." Thomas is naïve, nerdy, and unworldly -- even otherworldly -- but he is also kind and generous and combats Victor's cynicism and disillusionment. As the film ends, Thomas is heard in voiceover: "How do we forgive our fathers? . . . If we forgive our fathers, what is left?" A striking and profound observation indeed.
|Leading Actors||Evan Adams, Adam Beach, Tantoo Cardinal, Gary Farmer|
|Running Time||89 minutes|
|Video Source||Miramax Home Entertainment|
|Miscellaneous|| Based on Sherman Alexie's book, The Lone Ranger and Tonto Fistfight in Heaven. The film and its director won several awards.|
|Annotated by||Aull, Felice|
|Date of Entry||03/23/10|