Belli, A. & Coulehan, J., eds.
|Genre||Anthology (Poems) (160 pp.)|
|Keywords||Aging, AIDS, Alcoholism, Alternative Medicine, Anatomy, Anesthesia, Art of Medicine, Cancer, Caregivers, Child Abuse, Communication, Death and Dying, Disability, Disease and Health, Doctor-Patient Relationship, Empathy, Euthanasia, Family Relationships, Grief, History of Medicine, Hospitalization, Human Worth, Humor and Illness/Disability, Illness and the Family, Impaired Physician, Individuality, Infectious Disease, Lesbian/Gay/Bisexual/Transgender Issues, Loneliness, Love, Medical Ethics, Medical Mistakes, Mourning, Narrative as Method, Obesity, Pain, Patient Experience, Physical Examination, Physician Experience, Power Relations, Professionalism, Psycho-social Medicine, Sexuality, Society, Suffering, Surgery, Technology, Trauma, War and Medicine, Women in Medicine|
Editors Angela Belli, professor of English at St. John’s University in New York, and Jack Coulehan, physician-poet and director of the Institute for Medicine in Contemporary Society at the State University of New York at Stony Brook, have selected 100 poems by 32 contemporary physician-poets for this succinct yet meaty anthology. The book is subdivided into four sections, each of which is prefaced by an informative description and highlights of the poems to follow.
Section headings take their names from excerpts of the poems contained therein. There are poems that describe individuals--patients, family members ("from patient one to next"), poems that consider the interface between personal and professional life ("a different picture of me"), poems that "celebrate the learning process" ("in ways that help them see"), and poems in which the poet’s medical training is brought to bear on larger societal issues ("this was the music of our lives").
Several of the poems have been annotated in this database: Abse’s Pathology of Colours (9); Campo’s Towards Curing AIDS (13) and What the Body Told (94); Coulehan’s Anatomy Lesson (97), I’m Gonna Slap Those Doctors (21), The Dynamizer and the Oscilloclast: in memory of Albert Abrams, an American quack (129); Moolten’s Motorcycle Ward (105); Mukand’s Lullaby (33); Stone’s Talking to the Family (79) and Gaudeamus Igitur (109).
Other wonderful poems by these authors are also included in the anthology, e.g. Her Final Show by Rafael Campo, in which the physician tends to a dying drag queen, finally "pronouncing her to no applause" (11); "Lovesickness: a Medieval Text" by Jack Coulehan, wherein the ultimate prescription for this malady is to "prescribe sexual relations, / following which a cure will usually occur" (131); "Madame Butterfly" by David N. Moolten, in which the passengers in a trolley car are jolted out of their cocoons by a deranged screaming woman (142).
Space prohibits descriptions of all 100 poems, but each should be read and savored. Some others are particularly memorable. "Carmelita" by D. A. Feinfeld tells of the physician’s encounter with a feisty tattooed prisoner, who ends up with "a six-inch steel shank" through his chest as the physician labors futiley to save him (23). In "Candor" physician-poet John Graham-Pole struggles with having to tell an eight-year old that he will die from cancer (27). Audrey Shafer writes of a Monday Morning when she makes the transition from the "just-awakened warmth" of her naked little son to tend to the patient whom she will anesthetize "naked under hospital issue / ready to sleep" (72).
In "The Log of Pi" Marc J. Straus muses about being asked "the question / I never knew" that he "pretend[s] not to hear" whose "answer floats on angel’s lips / and is whispered in our ear just once" (113). Richard Donze wants to know why "Vermont Has a Suicide Rate" (132). Vernon Rowe remembers the "hulk of a man" who shriveled away from an abdominal wound and begged, " ’Let me go, Doc,’ / and I did" (44).
In their well-written introduction--worth reading by any student or teacher of the medical humanities--the editors discuss the relationships between the practice of medicine and poetry. Both, they write, depend upon "the act of seeing or paying attention." They point out that the essence of the medical encounter is "the poetic act of . . . standing in the presence of suffering" and that metaphor, symbol, and narrative are the currency of patients, physicians, and poets. The editors pose the question: "Do physicians bring a particular medical sensitivity to their poetry?" (xvii) Based on the poems in this anthology, the answer is a resounding "yes!"
Speaking about physician-poets, Edmund Pellegrino notes in the Foreword that "medicine and the arts cohabit their lives in symbiotic concord, enriching them as persons and as healers." This enrichment shines through the entire collection. A single caveat is that the absence of indices makes it difficult to locate poems or authors for whom one might be searching.
|Publisher||Univ. of Iowa Press|
|Editors||Angela Belli & Jack Coulehan|
|Place Published||Iowa City, Iowa|
|Miscellaneous||Foreword by Edmund Pellegrino.|
|Annotated by||Aull, Felice|
|Date of Entry||01/11/99|