|Genre||Novel for Young Adults (217 pp.)|
|Keywords||Abandonment, Adolescence, African-American Experience, Body Self-Image, Caregivers, Child Abuse, Communication, Cross-Cultural Issues, Dementia, Eating Disorder, Empathy, Family Relationships, Human Worth, Illness and the Family, Individuality, Loneliness, Love, Mental Illness, Mother-Son Relationship, Obesity, Poverty, Rebellion, Society, Survival, Urban Violence|
For months, Junior Brown, an obese adolescent, has been meeting secretly with his friend Buddy, a street-wise homeless boy who lives in an abandoned building, and a former teacher, now janitor, Mr. Pool. In the basement of the school building, Mr. Pool has rigged up a model of the solar system that rotates, illuminated in the dark. He and the boys discuss astronomy, math, and a vision of worlds to come while the boys skip classes and take refuge in their basement hideaway.
Junior is mentally disturbed; both Buddy and Mr. Pool know this and take care of him as they can. Junior's fiercely controlling mother exacerbates his obesity by serving him excessive helpings of food and feeding his fantasy that his father will return. She herself has asthma, which ties Junior to her as intermittent caretaker.
Junior has a musical gift, but his mother has removed the strings from the piano, so he practices on keys that produce no sound. Fridays he finds his way to the home of a demented old piano teacher who won't allow him to play her piano because of her delusion that a dangerous relative is hiding in her apartment. Ultimately the boys and Mr. Pool are caught in their marginal existence below the school.
They retreat to Buddy's urban hideaway where he cares for two other boys, teaching them how to survive. Buddy is convinced he can help Junior survive as well, with Mr. Pool's help. He knows that if he allows Junior to be retrieved by his mother or school officials, he'll be locked up in an institution where no one will recognize his gifts or his worth.
This strange, sometimes wrenching, often puzzling story pulls no punches in its description of life at the margins. It is even-handed in its brief treatment of teachers and school officials, but suggests strongly that in crowded urban areas like New York, the poor and ethnically disenfranchised have little hope of effective treatment or fair play. Survival often takes place outside the "system."
Buddy's love for Junior and his patience with him offer a striking and memorable portrait of a young urban black man who has developed a strong ethic of service in his own struggle to survive. Both he and Mr. Pool understand their own roles as enablers and caregivers to weaker people who are in danger of being eaten up by dysfunctional institutions. The book raises useful and hard questions about familial obligation, caregiving, and relationships between mental illness and social pressure.
|Publisher||Simon & Schuster: Alladin|
|Annotated by||McEntyre, Marilyn Chandler|
|Date of Entry||01/24/00|