Rowling, Joanne Kathleen
|Genre||Children's Literature (734 pp.)|
|Keywords||Adolescence, Alternative Medicine, Catastrophe, Child Abuse, Children, Communication, Death and Dying, Eating Disorder, Empathy, Family Relationships, Father-Son Relationship, Grief, Human Worth, Individuality, Love, Mental Illness, Mother-Son Relationship, Mourning, Obesity, Obsession, Pain, Parenthood, Power Relations, Professionalism, Scapegoating, Science Fiction, Suffering, Survival, Trauma|
Harry Potter and the Goblet of Fire is the fourth book in a planned series of seven (see annotation of Harry Potter and the Sorcerer's Stone for an introductory summary). Unlike previous books, this one opens with the murder of a Muggle, Frank Bryce, the elderly gardener for the Riddle estate--a home where Tom Riddle Sr. and his elderly parents had been found dead many years before. Voldemort, although still weak and requiring much assistance from his simpering servant Wormtail and his snake Nagini, is positioning himself for a return to full power.
Harry's distinctive scar is burning with pain as he awakes from a dream of the previous scene. This scar had hurt once before, in book one, when Voldemort was on Hogwarts property. Harry alerts his godfather via owl post and joins the Dursleys for breakfast. Breakfast is meager because Dudley, always obese and obnoxious, has now grown to outrageous proportions and is on the diet ordered by his school nurse. His mother, to make him feel better, puts everyone on the same diet. Harry is once again saved from the Dursleys by the Weasley family, although Dudley and his appetite are the objects of a prank by the Weasley twins.
Arthur Weasley (the father) who works for the Ministry of Magic in the Misuse of Muggle Artifacts Office has secured top notch tickets for all to attend the World Quidditch Cup. This fantastic event is marred by the appearance of signs of support for Voldemort by his followers, the Death Eaters, and Arthur hurries home with his charges in tow via Portkey transit.
Harry, now fourteen, enters Hogwarts for his fourth year. This year is different for all of the students due to the resurrection of the Triwizard Tournament, a dangerous international competition for a selected champion from each of three schools, Durmstrang, Beauxbatons, and Hogwarts. Although underage, Harry is selected by the Goblet as an extra competitor from Hogwarts. Everyone is concerned for the competitors' safety (the famous Viktor Krum, the enticing Fleur Delacour, and the decent Cedric Diggory). In particular, Harry's life is in danger from suspected foul play.
Adolescent love, the nastiness of poison-pen reporter Rita Skeeter, the ever-vigilant nature of Mad-Eye Moody (an Auror who caught Death Eaters in the past and who now teaches Defense Against the Dark Arts), spells that cause loss of control, excruciating pain or death, enslavement of house-elves, money, and variable degrees of professionalism by members of the Ministry of Magic, such as Cornelius Fudge, Bartemius Crouch, officious Percy Weasley, and Ludo Bagman are some of the themes and subplots in the novel. The traumatic end to the competition and follow-up lead Harry to witness and participate in some horrific events. Dumbledore, however, refuses to allow Harry to bottle-up the experience--Dumbledore understands that talk, openness, support, and rest are the first steps towards healing.
This book has more traumatic episodes than the previous ones, and Harry witnesses pain, suffering, and death of the innocent. He gains empathy not only for those close to him, but also for others, such as Neville Longbottom, whose parents are consigned to St. Mungo's Hospital for Magical Maladies and Injuries. It seems in the wizard world as well as the Muggle one, mental illness is difficult to treat. The Pensieve, another marvelous Rowling invention, allows those with too many thoughts to place them in a swirling bowl in order to examine and analyze them.
But this book is not all seriousness. Laugh-out-loud scenes and exchanges, particularly at the expense of comical characters such as Professor Trelawney, lighten the tone. The cleverness of Rowling's names for creatures, people, and spells continues to add another layer to the story.
Note: As in the other annotations of the Potter books, I try not to reveal too much of the denouement. These books are mysteries--who-and-how-dunits. My own recommendation is to read the books first, prior to reading any reviews, annotations, etc.
|Place Published||New York|
|Miscellaneous||Published by Bloomsbury in the UK.|
|Annotated by||Shafer, Audrey|
|Date of Entry||08/08/00|